Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.
Paul Château Têtard, 48, falls in love with a young woman working as a counter clerk in the subway. When he plans to marry her, his mother launches a private detective on her tracks to prove she's cheating on her son.
Léo, a contemporary artist, wants to reconnect with Élise, his former companion but Vincent Van Gogh, who returned to our time, fell in love with her. An over-realistic love triangle emerges and artistic issues appear in the background.
死而复生的嗜血僵尸如瘟疫般迅速占领全城,整个城市在一夜之间成为僵尸之城。为了躲避僵尸的攻击,两个特种部队警察和一个交通记者以及他的女友,逃到了一个荒废的大型购物中心里。这四个人斯蒂芬(大卫·艾梅治 David Emge 饰)、彼得(肯·弗里 Ken Foree 饰)、罗杰(斯科特·H·雷宁格 Scott H. Reiniger 饰)以及法兰妮(盖伦·罗丝 Gaylen Ross 饰)使尽浑身解数武装自己,尽一切可能抵抗凶残僵尸的袭击。然而他们的抵抗却不敌越来越多的僵尸,好景不长,僵尸蜂拥而至。雪上加霜的是,一大群车手也发现了这个避难所。四人不但要躲避疯狂的僵尸,还要同凶残的劫匪对抗。 丧失电影教父乔治·A·罗梅罗继1968年成功推出《活死人之夜》后,再次打造本部经典恐怖片《活死人黎明》,成为僵尸三部曲中盈利最多的一部。